Jean-Guihen Queyras

Curiosity, variety, and a firm focus on the music itself characterise the artistic work of Jean-Guihen Queyras. Whether on stage or on record, on listening one experiences an artist dedicated wholly and ardently to the music, whose humble and unpretentious treatment of the score reflects its clear, undistorted essence.

Three key elements contribute towards a successful performance – the alignment of the inner worlds of composer, performer and audience alike: Jean-Guihen Queyras learnt this interpretative approach from none other than Pierre Boulez, with whom his artistic partnership spanned many years. This philosophy, alongside a flawless technique and a clear, decisive sound, shapes Jean-Guihen Queyras’ approach to every performance and his absolute commitment to the music itself.

This intensity comes to the fore too in his approach to historical and contemporary repertoire – visible notably in his collaborations with the Freiburg Baroque Orchestra and the Akademie für Alte Musik Berlin. He has also given world premieres of works by, amongst others, Ivan Fedele, Gilbert Amy, Bruno Mantovani, Michael Jarrell, Johannes-Maria Staud, Thomas Larcher and Tristan Murail. Conducted by the composer, he recorded Peter Eötvös’ Cello Concerto to mark his 70th birthday in November 2014.

Jean-Guihen Queyras was a founding member of the Arcanto Quartet and performs as part of a trio with Isabelle Faust and Alexander Melnikov; on the piano, Melnikov and a further collaborator, Alexandre Tharaud, feature too as regular duo partners. In addition, he has collaborated with zarb specialists Bijan and Keyvan Chemirani on a programme featuring music of the Mediterranean.

This versatility of his practice has led to numerous concert halls, festivals and orchestras inviting Jean Guihen as an Artist in Residence, including the Concertgebouw Amsterdam and the Festival d’Aix-en Provence, Vredenburg Utrecht, De Bijloke Ghent and the Orchestre Philharmonique de Strasbourg.

Jean-Guihen Queyras often appears with renowned orchestras such as the Philadelphia Orchestra, the Symphonieorchester des Bayerischen Rundfunks, the Mahler Chamber Orchestra, the Orchestre de Paris, the Residentie Orkest Den Haag, the London Symphony Orchestra, the Gewandhausorchester and the Tonhalle Orchestra Zurich, working with conductors such as Iván Fischer, Philippe Herreweghe, Yannick Nézet Séguin, François-Xavier Roth, Sir John Eliot Gardiner and Sir Roger Norrington.

Jean-Guihen Queyras’ discography is impressive. His recordings of cello concertos by Edward Elgar, Antonín Dvořák, Philippe Schoeller and Gilbert Amy have been released to critical acclaim. As part of a harmonia mundi project dedicated to Schumann, he has recorded the complete piano trios with Isabelle Faust and Alexander Melnikov and at the same time the Schumann cello concerto with the Freiburg Baroque Orchestra under Pablo Heras-Casado. The recording “THRACE – Sunday Morning Sessions” explores, in collaboration with the Chemirani brothers and Sokratis Sinopoulos, the intersections of contemporary music, improvisation and Mediterranean traditions. In addition to the first CD of the “Invisible Stream” Ensemble 2022, consisting of Jean-Guihen Queyras, Raphaël Imbert, Pierre-François Blanchard and Sonny Troupé, the recording of the cello concertos by Kraft and CPE Bach with the Ensemble Resonanz under the direction of Riccardo Minasi was released in 2024. He has also released a new recording of the complete cello suites by Johann Sebastian Bach, 17 years after the first complete recording in 2007. Jean-Guihen Queyras records exclusively for harmonia mundi.

In the 2025/26 season, Queyras will perform under the baton of Yannick Nézet-Seguin, Dima Slobodeniouk, Andris Poga, Juraj Valcuha, Duncan Ward, Karina Canellakis, Aziz Shokhakimov, Christian Reif with renowned orchestras such as the Boston Symphony Orchestra, the BBC Philharmonic, Konzerthausorchester Berlin, Symphonieorchester des Bayerischen Rundfunks, Radio Filharmonisch Orkest, Orchestre Philharmonique de Strasbourg, Orchestre Métropolitain, the Kammerakademie Potsdam and the Tampere Philharmonic Orchestra. Highlights of the season include a tour with the Chamber Orchestra of Europe, Yannick Nézet-Seguin and Veronika Eberle, with concerts in Prague, Luxembourg, Paris, New York and Philadelphia, as well as tours to Japan, Korea, and Taiwan.
Together with Alexandre Tharaud he will premiere a new double concerto by Oscar Strasnoy.

Jean-Guihen Queyras holds a professorship at the University of Music Freiburg and is Artistic Director of the “Rencontres Musicales de Haute-Provence” festival in Forcalquier. He plays on the “Kaiser” Stradivarius made in Cremona in 1707, kindly made available to him by Canimex Inc. of Drummondville (Quebec), Canada.