Frank Peter Zimmermann

Violin

Frank Peter Zimmermann is widely recognised as one of the foremost violinists of his generation, praised for his selfless musicality, his technical brilliance and keen intelligence. For more than four decades he has been working with the world’s major orchestras and renowned conductors. His many concert engagements take him to all important concert venues and international music festivals in Europe, the United States, Asia, South America and Australia.

Read more

Frank Peter Zimmermann is widely recognised as one of the foremost violinists of his generation, praised for his selfless musicality, his technical brilliance and keen intelligence. For more than four decades he has been working with the world’s major orchestras and renowned conductors. His many concert engagements take him to all important concert venues and international music festivals in Europe, the United States, Asia, South America and Australia.

Highlights in 2025 and 2026 include appearances with the Berliner Philharmoniker, Boston Symphony Orchestra and Orchestre de Paris all conducted by Dima Slobodeniouk, a Paris residency with both the Orchestre National and Orchestre Philharmonique de France with Cristian Măcelaru and Alain Altinoglu, Staatskapelle Dresden and Daniele Gatti, Royal Concertgebouw Orchestra and Rafael Payare, Symphonieorchester des Bayerischen Rundfunks and Alain Altinoglu, Wiener Symphoniker and Robert Trevino, Gewandhausorchester Leipzig and Alan Gilbert, Filarmonica della Scala and Daniele Gatti, Orchestre de la Suisse Romande and Eun Sun Kim, Royal Stockholm Philharmonic Orchestra and Anja Bihlmaier, as well as performances in China with the orchestras in Beijing, Shanghai, Guangzhou and Hong Kong with Long Yu.
Together with pianist Dmytro Choni he gives recitals in, among others, Paris, London, Amsterdam and Vienna.

Over the years Mr. Zimmermann has built up an impressive discography for BIS Records, Warner Classics, Sony Classical, hänssler CLASSIC, Ondine, Decca, Teldec Classics and ECM Records. He has recorded virtually all major concerto repertoire, ranging from Bach to Ligeti, as well as recital repertoire. Many of these highly acclaimed recordings have received prestigious awards and prizes worldwide. 
Most recent releases include the Stravinsky violin concerto, coupled with Martinů’s Suite concertante and Bartók’s Rhapsodies nos. 1 and 2 with the Bamberger Symphoniker and Jakub Hrůša (BIS), the complete sonatas and partitas by J.S. Bach (BIS) and the complete sonatas for piano and violin by Beethoven with Martin Helmchen (BIS).

He received numerous special prizes and honours, among which the “Premio del Accademia Musicale Chigiana, Siena” (1990), the “Rheinischer Kulturpreis” (1994), the “Musikpreis” of the city of Duisburg (2002), the “Bundesverdienstkreuz 1. Klasse der Bundesrepublik Deutschland” (2008) and the “Paul-Hindemith-Preis der Stadt Hanau” (2010). 

In 2010 he founded the Trio Zimmermann with viola player Antoine Tamestit and cellist Christian Poltéra; the trio performed in all major music centres and festivals in Europe for well over a decade. BIS Records released award-winning CD recordings of works for string trio by J.S. Bach, Beethoven, Mozart, Schubert, Schoenberg and Hindemith.

Mr. Zimmermann has given world premieres of Magnus Lindberg’s violin concerto no. 2, Matthias Pintscher’s violin concerto “en sourdine”, Brett Dean’s violin concerto “The Lost Art of Letter Writing” and of Augusta Read Thomas’ violin concerto no. 3 “Juggler in Paradise”.

Born in 1965 in Duisburg, Germany, he started playing the violin when he was 5 years old, giving his first concert with orchestra at the age of 10. He studied with Valery Gradov, Saschko Gawriloff and Herman Krebbers.

Frank Peter Zimmermann plays on the 1711 Antonio Stradivari violin “Lady Inchiquin”, which is kindly provided by the Kunstsammlung Nordrhein-Westfalen, Düsseldorf, “Kunst im Landesbesitz”.

Representation

General Management: Nymus Artists
Germany: Michael Kocyan Artists Management
Italy: Lorenzo Baldrighi Artists Management
Spain: Duetto Management

Links & downloads


Concerts

  • May 1, 2025, 7:30 pm
    Leipzig, Germany
    Gewandhaus zu Leipzig
    Gewandhausorchester Leipzig
    Conductor: Alan Gilbert
    Elgar – Violin Concerto in b minor, op. 61

    http://www.gewandhaus.de/orchester/
  • May 2, 2025, 7:30 pm
    Leipzig, Germany
    Gewandhaus zu Leipzig
    Gewandhausorchester Leipzig
    Conductor: Alan Gilbert
    Elgar – Violin Concerto in b minor, op. 61

    http://www.gewandhaus.de/orchester/
  • May 10, 2025, 7:30 pm
    Beijing, China
    National Centre for the Performing Arts
    China Philharmonic Orchestra
    Conductor: Long Yu
    Elgar – Violin Concerto in b minor, op. 61

    http://www.cpolive.com
  • May 15, 2025, 8:00 pm
    Shanghai, China
    Jaguar Shanghai Symphony Hall
    Shanghai Symphony Orchestra
    Conductor: Long Yu
    Elgar – Violin Concerto in b minor, op. 61

    https://www.shsymphony.com
  • May 18, 2025, 8:00 pm
    Guangzhou, China
    Xinghai Concert Hall
    Guangzhou Symphony Orchestra
    Conductor: Long Yu
    Elgar – Violin Concerto in b minor, op. 61

    https://www.gso.org.cn
  • May 22, 2025, 8:00 pm
    Hong Kong, Hong Kong
    Hong Kong City Hall Concert Hall
    Hong Kong Philharmonic Orchestra
    Conductor: Long Yu
    Elgar – Violin Concerto in b minor, op. 61

    http://www.hkphil.org
Show next concerts
Show less

Reviews

Show more reviews
“Er hat alles, was einen wirklich großen Künstler ausmacht, und das ist: Man bekommt, was man erwartet und ist gleichzeitig…” →“Er hat alles, was einen wirklich großen Künstler ausmacht, und das ist: Man bekommt, was man erwartet und ist gleichzeitig fasziniert, wie perfekt das Ergebnis alles Erwartete übertrifft, wie ein Künstler aus allseits Bekanntem wie Mozarts Violinkonzerten jenes Quantum Glück herauskitzelt, das man sich seit David Oistrakh so oft erhofft hat.” ←
– Süddeutsche Zeitung , 17/02/2015
“Throughout the performance the violinist was in full command of the piece’s sawing and darting passages. His tone, in the…” →“Throughout the performance the violinist was in full command of the piece’s sawing and darting passages. His tone, in the process, displayed a variety of colors, from dusky low notes to high phrases laced in silver. The second movement of the concerto is one of Bartók’s most beautiful passages. There, Zimmermann found the hints of yearning romanticism, unwinding the line with a singing tone that was answered with soft a blanket of sound by the BSO strings. The quicker section moved with a fittingly awkward, impish gate, and the third movement moved with an off-kilter lilt. The violinist’s gnarly runs, there, took on a fiery energy. Zimmermann’s blazing encore, Ernst Schliephake’s transcription of Rachmaninoff’s Prelude in G minor, Op. 23, No. 5, put a finishing touch on a thoroughly dramatic performance.” ←
– Boston Classical Review, 14/10/2016