Representation: WORLD

"He played Mendelssohn’s Violin Concerto with great sensitivity and admirable technical poise. ... Vaughan Williams’s The Lark Ascending may have been a way of ensuring full houses, but Spaček played it with a beguiling simplicity." - The Guardian - 23 April 2015

" ... während der glänzende junge Geiger Josef Špaček Josef Suks rhapsodische g-Moll-Fantasie mit singender Brillanz erfüllte – Jubel allenthalben." - Die Presse, 20 March 2015

"Glänzend realisiert wurde der anspruchsvolle Solopart (Suk Fantasie, Op. 24) von dem jungen Josef Špaček. Dafür gab es lang anhaltenden Beifall."  - Luxemburger Wort, 16 December 2014

"It was Špaček's energy that gave life to the already elegant composition and it was just mesmerising to watch his deft handling of the instrument. The composition’s nature allows the violinist to shine and Špaček utilises this chance to the fullest, bringing the instrument — in his case, a violin made in 1855 — to the fore, describing, with every note, the “quiet rapture and poetic beauty” of this 1845 work.
" - New Straits Times, 12 April 2014

"Though there will always be a special place for the recording by David Oistrakh, for whom it (Prokofiev Violin Sonata no. 1 - ed.) was written, Josef Špaček has the measure of this strange, dark work and all its technical demands. ... Špaček and Sekera are very much on home ground with Janáček's Sonata, taking it much less forcefully than some performers do and reaching into the music, past the typically abrupt gestures, to its lyrical centre. The melodic elegance is there for the finding, together with a distinct undertow of melancholy." - Gramophone, Awards Issue 2013

"Never mind the superb technical accomplishment of Špaček's playing, it's the musical and interpretative achievement that is so impressive here." - International Record Review, October 2013 

“Un vrai musicien (A true musician)” - Le Soir

“He played with sweet tone, deliberate phrasing and vigor in the rollicking Hungarian-style third movement.” - New York Times

"... his high-charisma playing was fueled by priceless musical comprehension." - Philadelphia Inquirer

Josef Špaček


    Josef Špaček is fast emerging as one of the most accomplished violinists of his generation. He studied with Itzhak Perlman at The Juilliard School in New York, Ida Kavafian and Jaime Laredo at the Curtis Institute of Music in Philadelphia, and with Jaroslav Foltýn at the Prague Conservatory. He was laureate of the International Queen Elisabeth Competition in Brussels, and won top prizes at the Michael Hill International Violin Competition in New Zealand, the Carl Nielsen International Violin Competition in Denmark and the Young Concert Artists International Auditions in New York.

    Highlights in 2016 include subscription concerts with the Czech Philharmonic Orchestra and Valery Gergiev (Beethoven concerto), his debut with the Rotterdam Philharmonic Orchestra and Jiří Bělohlávek (Dvořák concerto), his Berlin debut with the Konzerthausorchester Berlin and Thomas Sanderling (Beethoven concerto), his Amsterdam Concertgebouw debut with the Netherlands Philharmonic Orchestra and Thomas Søndergård (Nielsen concerto), his Tokyo debut with the Tokyo Metropolitan Symphony Orchestra and Jakub Hrůša (Dvořák concerto) and the Orchestra di Padova e del Veneto and Marco Angius (Brahms concerto), as well as recital debuts in among others Kennedy Center in Washington D.C. and La Jolla, San Diego. He will also be the soloist of the Czech Philharmonic Orchestra and Jiří Bělohlávek during their Asia tour.

    Josef Špaček has served as concertmaster of the Czech Philharmonic Orchestra, the youngest in its history. The orchestra has named him “Associate Artist” as of January 2016.

    In addition to the afore-mentioned orchestras Josef Špaček makes solo appearances with orchestras across Europe, the US and Asia, such as the Philadelphia Orchestra, Prague Philharmonia, Orchestre Philharmonique du Luxembourg, Essener Philharmoniker, Tonkünstlerorchester Niederösterreich, Orchestra Sinfonica Nazionale della RAI Torino, Orchestre National de Belgique, Melbourne Symphony Orchestra, Malaysian Philharmonic Orchestra, Orquesta Filarmónica de Málaga, Auckland Philharmonia Orchestra, Kansas City Symphony and Queensland Symphony Orchestra. 

    He collaborates with conductors such as Jiří Bělohlávek, Jakub Hrůša, Valery Gergiev, Christoph Eschenbach, Manfred Honeck, Semyon Bychkov, Asher Fisch, Roy Goodman, Eliahu Inbal, Jun Märkl, Thomas Søndergård, Thomas Sanderling, Giordano Bellincampi, Tomáš Netopil, Marco Angius and Rossen Milanov. 

    Josef Špaček gives numerous recitals in Europe (including at the Rudolfinum in Prague, the Konzerthaus in Vienna and at Schloß Elmau), Asia and the USA (among others at the Kennedy Center, Washington D.C. and La Jolla, San Diego). 

    April 2015 saw the Supraphon CD release of his highly praised recording of the violin concertos of Dvořák and Janáček, and of the Fantasy of Suk, with the Czech Philharmonic Orchestra conducted by Jiří Bělohlávek (among others “Recording of the week” of The Sunday Times, “Recording of the month and of the year” of MusicWeb International and 5* in Diapason). In 2013 Supraphon released his recording of works for violin and piano by Smetana, Janáček and Prokofiev with pianist Miroslav Sekera. In 2010 he recorded works by H.W. Ernst for Naxos. His first CD, which was released in 2006, includes a complete recording of the Sonatas for Solo Violin by Eugène Ysaÿe. 

    Josef Špaček plays a violin made in 1855 in the workshop of Jean-Baptiste Vuillaume.


Click here to watch Josef Špaček's performance of the Tzigane by Ravel with the Czech Philharmonic Orchestra and Jiří Bělohlávek during the New Year's Day Concert on 1 January 2014 at the Rudolfinum in Prague.

Click here to watch Josef Špaček's recital with pianist Miroslav Sekera, recorded live on 15 May 2013 at the Rudolfinum in Prague.

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